The talented musician, a key member of the pioneering 1980s electronic music band Soft Cell, has passed away at the age of 66.
Together with vocalist Marc Almond, the team achieved a global success with their cover of Gloria Jones' the classic track Tainted Love in 1984, and their first record Non-Stop Erotic Cabaret is considered a seminal work of synth-pop.
He subsequently founded the innovative electronic act The Grid, who achieved popular acclaim with 1994's the hit Swamp Thing.
Ball passed away calmly in his rest at his home in London on October 22, only a short time after performing a featured performance with Soft Cell at the Rewind Festival in the Thames-side town.
During that show, Ball appeared in a wheelchair, as he had for the previous couple of years, after a spate of ill-health.
"I managed to damage myself significantly," he stated in a recent interview. "I broke spinal bones in my spine and fractured about five ribs and broke my wrist."
Following contracting pneumonia and suffering from blood poisoning, he was put in an induced coma and stayed in hospital for seven months.
However, he had been in "a great place mentally" over the summer, as he worked on a fresh record with Almond, called Danceteria, which is set for publication next year.
"He was concentrated and so happy with the latest project that we literally finished only a few days ago," said the singer in a tribute.
"It's truly heartbreaking as 2026 was all set to be such an positive year for him, and I find comfort from the knowledge that he heard the completed album and believed that it was a masterpiece."
Almond described his bandmate as "an exceptionally talented creative mastermind", stating: "He was the heart and soul of Soft Cell and I'm very proud of our body of work.
"Many thanks Dave for being an significant aspect of my existence and for the songs you created with me. I couldn't be where I am without you."
Richard Norris from The Grid, also paid tribute, recalling Ball's "endless laughter" and "unwavering friendship".
"Being in a partnership with someone is distinct from joining a group, the bond is very tight," he continued.
"That's how it was with us. We experienced so many extraordinary, incredible, life-affirming experiences together. Many thanks, Dave."
Born into a one-parent family in the city of Chester in the late 50s, Ball was given up for adoption when he was 18 months of age.
He grew up in Blackpool with his new family his caregivers, who changed his given name from his birth name to David, together with his younger sister his sister, who was similarly welcomed.
He met Almond at an art college in 1977, where they were both studying art. Inspired by a shared love of a music genre, they established Soft Cell the same year, and promptly produced an extended play.
The pair were an distinctive pairing: Ball was the reserved technician, hunched over his keyboard, while Almond was a flamboyant showman, all sparkle and makeup; but they achieved a unique musical alchemy.
Ball had developed a fascination with electronic instruments after viewing Kraftwerk perform on a television science show a popular series, and began to marry dark electronica to the catchy tunes Almond was composing.
Their signature song became the UK's second most popular single of the early 80s, shifting millions of copies worldwide. Together with successful tracks by Gary Numan, Human League and electronic acts, it contributed to paved the way for the synth-pop sound of the 1980s.
The song was also included on their first album, their initial LP, which produced two additional top five hits: Bedsitter and Say Hello, Wave Goodbye.
They followed the album up with the separate release, Torch, which reached at the second position in 1982.
Fame had its upsides. "I loved being able to afford my initial property, having financial security and exploring, which might seem like a Miss World," Ball recently told with a publication.
But it also presented problems. "Sudden riches meant we could purchase newfound drugs to relieve the monotony" of press appearances and TV performances, Ball said.
"I know that's a cliché, but it's a truism for a good reason, because it works for so many bands."
Amidst the party-filled existence, the pair were also drifting apart, but they succeeded to create a follow-up memorable record - the wayward, edgy and aptly-titled The Art Of Falling Apart.
They released another album, 1984's This Last Night In Sodom, before dissolving the group to concentrate on other projects.
Almond proceeded to have a successful individual path, including the chart-topping single Something's Got A Hold Of My Heart; while Ball created The Grid, who combined acid house with ambient pop over a enduring collaboration.
Soft Cell reunited in the early 2000s, producing the charting record Cruelty Without Beauty.
Following a further break, they returned in 2018, releasing the original singles Northern Lights and Guilty (Cos I Say You Are) before staging what was intended to be a farewell show at the large venue on 30 September, 2018.
However, they stayed together, recording their fifth album, Happiness Not Included, during the 2020 Covid lockdown.
Ball recently characterized the band's upcoming release as a homage to the New York club scene they frequented while making their initial records.
He added that his time in hospital had influenced the group's music.
"I experienced strange recollections when I was coming and going of hospital because I was on pain medication," he explained to a publication.
"The new songs are a electronic representation of the noises in my mind from those days.
"Simultaneously, it's about the times we had in the 1980s."
The final mixes were finished only days before Ball died. It is scheduled for release in the spring of 2026.
A seasoned lifestyle journalist with over a decade of experience covering luxury markets and global travel, known for her insightful perspectives on elegance and culture.